Authors Karin Pendle (Professor Emerita of Musicology, College-Conservatory of Music at University of Cincinnati) and Melinda Boyd (Assistant Professor of Music History, University of Northern Iowa) have created a collection of sources that covers this broad, yet extremely relevant, area of study within music and culture.
Over 3,000 entries can be found in the second edition of this bibliography, published in 2010. Aimed at scholarly audiences, Women in Music maintains a relevant focus of scope, targeting sources (mainly books, scholarly articles, dissertations, and some electronic sources and documentaries) that refer specifically to gender and feminism in scholarly music literature published since 1980.
Major subtopics falling under the large umbrella that is “women in music” are included in this volume. Such source topics range from general histories of women in music to more specific areas such as music education, ethnomusicology, and other issues of gender such as homosexuality and women’s financial support within the industry. In addition to these topical headings, several chapters in Women in Music focus on bibliographical sources. Entries about female composers and musicians from both classical and popular music genres are covered. While the sources cited in this volume are mainly in English and other Western European languages, their content reaches an international level (more so than its earlier edition). Indexes by name, author/editor/translator, and subject are also provided.
Hannah Johnson, research assistant